Frederic Bazille
the Improvised Ambulance
1865
Dare to improvise
athletes training in the discus throw
same clearing clumsily send their projectile
in group leadership. The disc falls and
speeding towards the picnic.
Monet, to protect his friends - or save
its composition - intervenes and scoop of a
deep calf injury. Bazille reacts
as an apprentice doctor: he makes a tourniquet,
companion sound friend at his neighboring inn,
install it on the bed by raising the leg
wounded with blankets, and makes
even a makeshift drip in
hanging an earthen pot over the wound filled with permanganate and pierced with a hole. Then, to keep his comrade company, he takes the latter's equipment and paints it, sick and bedridden. Monet's misfortune proved to Bazille an excellent - albeit impromptu - source of inspiration.
In 1865, Frédéric Bazille and Claude Monet were still two young painters aged 24 and 25, far from imagining that they will soon give birth to one
from most innovative movements in history
tory of art: Impressionism. The two
friends they met in Paris three more years
early: Monet arrived from Le Havre to complete his
painter training , and Bazille de Mont- Peller
to study medicine according to
the wish of his parents . From then on , they ex-
together the possibilities offered by
outdoor painting.
​
That summer, when Monet was planning to paint a country luncheon scene in the forest of Fontai-nebleau, he asks Bazille to join him to pose among the group of friends gathered for the occasion. During one of the work sessions, an accident occurs:
Claude Monet,
Luncheon on the Grass , 1865
What we can take away:
​
Putting an idea into practice requires preparation. But wanting to foresee everything and organize before we start, we risk closing ourselves to certain opportunities. Knowing how to improvise by showing spontaneity - and audacity - is a valuable talent for seizing opportunities that arise without having been anticipated, and which are nonetheless potentially interesting.